Another great interactive graphic from the New York Times: Stravinsky’s ‘A soldier’s tale’ performed by a small ensemble. Conductor Alan Gilbert explains the gestures and the connection with the music. To the unprofessional eye, though, it remains a mysterious thing, though – how this seemingly rather arbitrary ‘leading dance’ causes all the musicians’ sound to fall into place.
Note: the use of the 3D waveforms to show the presence and intensity of the different instruments.
Conducting: interactive explanation with 3D graphics and interview (NY Times)
April 6th, 2012Cintiq unpacking party
March 25th, 2012Books arrived on Saturday
March 18th, 2012Books that arrived today. Wandered into Egidius again – the print and poem in the window re-awakened my interest in Dutch poetry. No doubt about it – the disappearance of these stores is going to deal a blow to ‘serendipity’. No-one, me included, knows what, if anything, to do about it. Maybe this is a new challenge for interaction design – keeping these shops in existence and helping them flourish.
Poetry in Egidius bookstore window
March 8th, 2012Passing Egidius bookstore at Haarlemmerstraat 87 in Amsterdam, and suddenly noticed this. Stopped. Read it. Read it again. Completely changes everything: a voice like this, out of nowhere, printed in this way. Photographed it as best I could through the window – hope the text is readable.
New York Diaries, in the Author’s Hand
February 11th, 2012Great interactive feature in NY Times, and good thinking by publishers of the book. From the NY Times article:
‘Many individuals have written books about New York City?s past. In a new one, dozens of authors, anonymous and known, dead and alive, collaborate to tell the tale. New York Diaries, edited by Teresa Carpenter, draws together diary entries, official records and even datebook jottings spanning 400 years and weaves them into a rich and unusual history of the city.
What the widely acclaimed book does not provide is a look at the original documents. Working with Ms. Carpenter?s publisher, City Room has gathered images of some of them for viewing online.’
The interactive feature is very well done: http://www.nytimes.com/interactive/2012/02/10/nyregion/20110210-new-york-diaries-originals.html
Books
December 31st, 2011I was 21 when I bought these Vintage editions of Sartre’s ‘The Road to Freedom’ trilogy. Then, I saw in the protagonist Mathieu a hero fighting a lonely battle to keep some measure of freedom. Nine years later, at 30, I saw Mathieu as a coward who failed himself and everyone that mattered to him. The other characters all seemed too flimsy and contrived to take seriously. Now, at 52, only a few bright moments are left intact: the visual resemblance of the scenes of his estrangement from his friends Daniel and Brunet to a Surrealist painting, a few of the dialogues.
I still like the covers.
Vernacular typography: improvised house number
December 29th, 2011120,000 protesters in Moscow
December 24th, 2011What I find most striking about the recent protests in Russia is the political sophistication the protesters are showing across the board, from organizing, to dealing with state-hired goons, to fighting the propaganda war and collaborating with independents and rivals. ‘Connectedness’ (‘Young and Connected, Office Plankton Protesters Surprise Russia‘) may be multiplying the force that brought tens of thousands of a new breed of politically active Russians into the streets today. But here’s another hypothesis: the experience of working in mid-level positions for large, modern capitalist organizations has acted as a political training ground.
The modern company as political training ground
For almost two decades now, young to middle-aged Russians have been working for modern companies – many of them multinationals. There, they have become acquainted with something that they never encountered before: politics. Not the Big Politics of the past. Rather, the everyday business of negotiating one’s position, forming strategic alliances within the organization, securing benefits, and anticipating and surviving the bigger shifts caused by external forces and higher-level decision-makers.
This has ‘politicized’ them in an indirect, but powerful way: it has de-throned an older, dysfunctional conception of politics they’d inherited from Soviet times. One in which they were essentially helpless.
Absurdity and suffering
This concept of ‘politics’ was captured well by ethnographer Nancy Ries in her book Russian Talk: Culture and Conversation During Perestroika. As one reviewer put it: “Dire stories about poverty, hardship, and social decay recited constantly during perestroika served to fabricate a common worldview–conveying a sense of shared experience and destiny, and casting Russian society as an inescapable realm of absurdity and suffering.”
Those of us who spent time in the 1990′s in Russia, remember how difficult it was to challenge that view. Any suggestion that perhaps – just perhaps – some of the pragmatic politics that worked elsewhere, might also work in Russia – was met with derision.
And with fabulous explanations of politics, each more melodramatic than the last, spiced with vast conspiracy theories, stereotypes of the eternal ‘suffering people in hate/love with their tsar’ which would rise like a phoenix forever from the ashes of change, the eternal Russian (or ‘Soviet’) mentality, which was simply averse to individualism, capitalism, etc. etc. etc. Fact-checking was waved away as a silly Western illusion. Rather, these stories were supported by ancient, archetypal lore. I remember one explanation of the Russian character (alcoholic, spineless, incapable of initiative) based on a ‘collective’ technique of felling trees practiced by serfs. Like all good fish stories, these had to end with a bang, which usually took the form of predictions of ‘polnaya razrukha’ (total collapse).
Greedy guys in suits
Now, all those middle-class people realize that the ruling classes are simply the same greedy guys in suits that they see in the workplace, fighting for influence, with or without brains, money, ethics, connections and all those other things that everybody else has or doesn’t. And the new Russian middle class is well acquainted with strategy, in both action and communication. They see how lumbering and out of touch the regime is. They take heart in the fact that they’ve outwitted it in some ways already. (The regime’s suggestion that US money was behind the protests, was ridiculed by protesters with signs with slogans ‘demanding’ their pay from them US State Department.)
Let us wish them all well, this holiday season, and hope their protest becomes a movement which transforms Russia for the better!
The blogger Dmitrii Chernyshev provides a great page of pictures.
Chocolatl, second session: Organiko mint
November 19th, 2011Visited Chocolatl again, ready for chocolate, coffee, sketching.
As the Japanese say: ‘Food is first eaten with the eyes’. We study all the wonderful packaging and settle on a cylindrical can of Sath organic Spanish mint bon bons.
The typography makes an initially sober, almost classic impression but upon closer examination, contains much play with symmetry and reading directions. The word ‘BOM’ is studying its reflection with a tilted ‘O’, but is assymetrical because of the two languages.’CHOCOLATE’ is doing a U-turn. The two languages are handled neatly in the Serif caps.
After a sample, we’re ready to start our coffee, chocolate and sketching session.
The Moleskin flat black pencil and Zhenya are in an intimate symbiosis, she has forgotten everything but her drawing. I work on some new figures for a stakeholder map infographic. I love the music here: not too loud, Coltrane, jazz ballads, perfect for drawing.
The little bon-bons are a kind of ultimate version of after dinner mints. They’re small, but quite an explosion of taste. This little can will go a long way.
The address, for those who might be in the neighborhood:
Chocolatl
Hazenstraat 25-A
Amsterdam
Telephone: 020 755 5047
Time to go. Next stop: the hatmaker’s shop, where we’ll look for a new winter hat for Zhenya.
Chocolatl
October 29th, 2011Twenty paces past the shop, my ‘invisible gorilla’ strategy to distract Zhenya failed. Her peripheral vision had picked it up anyway: the chocolate packaged as a fish in a sardine can. The beautiful black and white interior. The exhibition of beautiful packaging, seemingly endless variations on a rectangular theme, all saying: chocolate.
Inside the shop, I wonder: how could anyone have ever doubted that it’s the packaging, not the product, that produces our response to it? Here, both are so good that you can let them to a kind of one-two.
One: let the graphic design of the products do its magic. The visual feast makes it lots of fun to make a choice!
Two: pick one kind and then order tea or coffee, and enjoy it at the logwood table in the back of the shop. The shop’s low-key interior lets you focus your senses on the chocolate: unobtrusive music, chalkboard black and dull white walls, ceiling, shelving, practical but nicely-design silverware, cups, accessories.
So this is the new tip for our friends visiting Amsterdam: Chocolatl, the shop with hundreds of extraordinary artisanal chocolate brands, friendly owners, well-designed, close to the center. Extra tip: a great place to buy gifts which are special, not too costly, and easy to carry.
Address:
Hazenstraat 25-A
Amsterdam
Telephone: 020 755 5047
















